Grotesquerie is in the eye of the beholder. That’s one lesson to be taken from the cinematic provocations of Austrian filmmaker Ulrich Seidl, who, by presenting his characters as exotic specimens ...
Faith in objects : American missionary expositions in the early twentieth century / Erin L. Hasinoff
Preliminaries -- Antecedents -- The world in Boston of 1911 -- Setting the stage -- First impressions -- Pedagogical architecture -- Object lessons -- Spiritless pleasures -- The missionary exhibit of ...
Some results have been hidden because they may be inaccessible to you
Show inaccessible results